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Enda Kenny and guests Lindsay Martin & Sandy Brady

June 25, 8pm
$15 Members
$20 Non-members

BIO…
Dublin born songwriter, Enda Kenny has lived in Melbourne, Australia since 1987.  Like the seanachies and yarn spinners before him,  Enda’s songs describe stories of life, of humour, of nature and injustice.  Enda’s gift as a performer is his ability to bring alive the individual experience in a way his audience intuitively relates to.

Enda Kenny

Acclaimed as one of Australia’s best songwriters, Enda has produced four albums – Twelve Songs, Bakers Dozen, Six of One,Cloudlining, and the recently released Here and There. All feature the masterful fiddle playing of long time collaborator Lindsay Martin. Live performances regularly feature Lindsay and Sandy Brady on bass, who joined them for the recording of Cloud Lining.

His songs have been recorded by a growing list of local and international artists including Roy Bailey, Karen Lynne, Reel Time, Bram Taylor, Barrie Davis, Bob Eden and Markerr.

ALBUM COMMENT…
This is an album I have travelled toward, not a straight journey, but, like the title, one that’s taken me Here and There through different worlds, moods and times. As always, I sing stories in my songs and I’m attracted to the songs of others that tell me a story. This collection includes two of my strongest early influences, Stan Rogers and Chris De Burgh as well as contemporary songwriters Alex Legg from Melbourne and Rod MacDonald whom I met at Port Fairy a few years back. I’ve been privileged along the way to be accompanied by some fine friends and musicians, notably LINDSAY MARTIN who has added his fiddling eloquence to my music for over a dozen years. The warm bass of SANDY BRADY has joined us since Cloud Lining.

REVIEW: Sydney Morning Herald review of  "Here and There"

Enda Kenny is simply the best folk singer-songwriter working in Australia. He has a voice that imbues every word with passion and injects just the right level of Irish (he was born in Dublin) rebellion and sentimentality.

Not surprisingly, this album keeps the flames of protest and moral outrage alive. Children overboard, Iraq, the Oklahoma bombing and religious fundamentalism are all savaged. There's the wonderful Were You There (written by expatriate Glaswegian Alex Legg), which points out that the warriors in Washington, bombers in Baghdad and politicians in London all prayed to their own Gods and believed that they were doing God's work.

Who Built The Bomb? is structured like Who Killed Cock Robin? with US senators, action-movie stars, shock jocks and religious fundamentalists insisting they only ever encourage goodness and decency. The album has some glorious ballads, including a masterpiece about growing up in Dublin called The Streets of Joyce.
Bruce Elder, Sydney Morning Herald

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